Spice up your movie dialogue with Bait and Switch


Did you know that a flat movie dialogue is one of the Top 7 Deadly Flaws of a Bad Screenplay?

And it's one of the main reasons for a screenplay to get tossed instead of read ?

One of the 13 rules to write original dialogues talks about the use of dialogue techniques.

Today, the Bait and Switch technique.

When it is used and how it works.

How to write a good movie dialogue - The Bait and Switch dialogue technique

Bait and Switch dialogue technique - 101

You want to write funny lines? or a movie dialogue for a comedy?

Then you MUST know about this dialogue technique as it is commonly used to make the audience laugh.

From Groucho Marx to Woody Allen, from Airplane to the Hangover. They all use it. Why?
Because it is simple and effective

In this article our dialogue expert, Blablator, will show you:

Tick the Box what this movie dialogue technique is and
Tick the Box how it works

Then we'll have a bit of fun and let you test your new acquired knowledge with a quiz.


Bait and Switch - what it is

The name of this movie dialogue technique comes from the financial world.

It describes a dishonest practice whereby a salesman advertises something at a very low rate ("the Bait") to attract customers. For example:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

When these customers enquire about the item advertised, they learn that this item is no more available, or that they don't qualify for it. The Salesman offer the customer instead a more expensive item (the "Switch").

Similarly, the Bait and Switch movie dialogue technique has 2 parts:

1. the bait: a character says something and raises an expectation with the audience
2. the switch: the character keeps talking and the audience discovers that their expectation was not correct.

The effect of surprise is what makes people laugh.


Bait and Switch - examples

Let's illustrate this movie dialogue technique with 5 examples.

To make it easier, the Bait is shown in blue and the Switch in red.

1. Groucho Marx:

He may look like an idiot and talk like an idiot but don't let that fool you.
He really is an idiot.

In this example the Bait - "He may look like an idiot and talk like an idiot but don't let that fool you" - lets you think that this person is actually not an idiot, until the Switch - "He really is an idiot" - tells you otherwise and leaves you surprised.

Some more examples below to have you see how this movie dialogue technique works.

2. Groucho Marx again:

I find television very educating. Every time somebody turns on the set,
I go into the other room and read a book.

3. The Hangover, screenplay written by Jon Lucas & Scott Moore.

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

ALAN
What if Doug's dead? I can't afford to lose somebody close to me again, it hurts too much. I was so upset when my grandpa died.

PHIL
How'd he die?

ALAN
World War II.

PHIL
Died in battle?

ALAN
No, he was skiing in Vermont, it was just during World War II.





4. Factotum, screenplay written by Bent Hamer and Jim Stark:

HENRY
I lost a woman.

OLD BLACK MAN
Yeah, well, you'll have others.
You'll lose them, too.

5. China Seas, screenplay written by Jules Furthman and James Kevin McGuinnessk:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

ROBERT
See that chess game over there? When I was four years old, I played ten people all at once - blindfolded.
I lost every game.


Bait and Switch - the Quiz

It's your turn now to apply this movie dialogue technique. It's easy, just:

A) read the Bait.
B) guess what the Switch is and
C) click on the + sign to find out if you were in the ballpark.

1. Airplane - screenplay written by Jim Abrahams & David Zucker & Jerry Zucker

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

2. Lost in Translation - screenplay written by Sophia Coppola:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

3. The Hangover, screenplay written by Jon Lucas & Scott Moore. How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique


4. Dumb and Dumber - screenplay written by Peter Farrelly & Bennett Yellin & Bobby Farrelly:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

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5. Tower Heist - screenplay written by Ted Griffin and Jeff Nathanson:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

6. My Big Fat Greek Wedding - screenplay written by Nia Vardalos:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique
TOULA
I had to go to Greek school, where I learned valuable lessons such as ...
"if Nick has one goat and Maria has nine, how soon will they marry?"


7. Two Weeks Notice - screenplay written by Marc Lawrence:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

8. A Fish Called Wanda - screenplay written by John Cleese:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

9. The Social Network - screenplay written by Aaron Sorkin:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique

10. The Simpsons - Monty Can't Buy Me Love - screenplay written by John Swartzwelder:

How to Write a Good Dialogue - The Bait and Switch Movie Dialogue Technique


Check out these other movie dialogue techniques:


Don't miss these related articles:


Aright guys uh.. Lets start sharing. Don?*

* Hancock - screenplay written by Vincent Ngo and Vince Gilligan


Credits:

Pictures:

-- "The Hangover" - Zach Galifianakis, Bradley Cooper, directed by Todd Phillips, director of photography: Lawrence Sher

-- "Airplane" - Julie Hagerty; directed by Jim Abrahams, David Zucker and Jerry Zucker; director of photography: Joseph F. Biroc

-- "Lost in Translation" - Scarlett Johansson, Bill Murray; directed by Sofia Coppola; director of photography: Lance Acord

-- "The Hangover" - Matt Walsh, directed by Todd Phillips, director of photography: Lawrence Sher

-- "Dumb and Dumber" - Jim Carrey, Jeff Daniels, directed by Peter Farrelly and Bobby Farrelly, director of photography: Mark Irwin

-- "Tower Heist" - Ben Stiller, Eddie Murphy; directed by Brett Ratner; director of photography: Dante Spinotti

-- "My Big Fat Greek Wedding" - Julie Hagerty; directed by Joel Zwick; director of photography: Jeff Jur

-- "Two Weeks Notice" - Sandra Bullock, Hugh Grant; directed by Marc Lawrence; director of photography: Laszlo Kovacs

-- "A Fish Called Wanda" - Jamie Lee Curtis, Kevin Kline; directed by Charles Crichton; director of photography: Alan Hume

-- "The Social Network" - Rooney Mara; directed by David Fincher; director of photography: Jeff Cronenweth


I just want my money and I wanna go home.*:

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* The Departed, screenplay written by William Monahan

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